Showing posts with label genre. Show all posts
Showing posts with label genre. Show all posts

Sunday, May 11, 2014

Cats vs Chickens

Who hasn’t heard of the expression Cat Lady, and usually in conjunction with crazy? Maybe you personally know a Crazy Cat Lady. The fact of the matter is, especially with all the cute kitty pictures popping up all over the place on the internet, Cat Lady has become so cliché. The concept of accumulating—or hording—pets, though, is still quirky, to say the least and makes for an interesting character embellishment.

In Blind Stitches, one of the characters—Aunt Anita—is a hoarder and a collector of not only things but pets, originally cats. Then I got talking with a friend, and in conversation about his upbringing on a farm, he divulged something so odd and amusing I just knew I needed to include it in a story. Chickens. They raised chickens and also had a few as pets—yes, chickens make fine pets and they can even be house-trained, although my friend and his 5 brothers never brought them in the house. What I found so amusing, in a twisted sort of way, was that when the chickens died—the pet chickens, not the ones destined for the pot after they no longer laid eggs—they ‘planted’ the chicken in the ‘chicken cemetery’ with their feet sticking up out of the ground like branches reaching for the sky. I have to say, I was at first stunned and then couldn’t stop laughing at the visual it conjured. And they would tag the feet, hanging little signs on the talons with the chicken’s name. Perfect!

Personally, I’ve never come across a Chicken Lady—I’m sure there are a few out there, but that designation is by no means cliché! And what’s even better is that chickens fit perfectly into the Blind Stitches storyline and help define not only the oddball Aunt, but the enigmatic young Romeo who has Asperger’s, and yes, he even knows how to house-train chicks! The free range chickens also emphasizes the stigma that poor Juliet has been trying to shed since she was a child, given that the three live on the fringes of an elite little New England town.

Oh, and I have one more bit of news—my husband, Todd, is currently working on an oil painting of a ballerina dress for my cover, in a style along the lines of which Nikolai would paint--sort of Impressionistic. The cover concept remains the same as I last posted, but it will provide a better nuance for the genre, which will likely fall into the Romantic Suspense. Or, hmm … maybe Dark Humor—is that a genre? or Quirky Psychological. Hmm ....

Friday, December 7, 2012

Coming of Age

When I search for Uncharted: Story for a Shipwright on Google, this is the first result that shows up:


I’m not entirely certain how the algorithms work or how Amazon categorizes novels, but “Coming of Age” really jumps out at me—I hadn’t ever thought of Uncharted as a 'coming of age story', but on second thought, yes, I suppose it is. Perhaps the term has more to do with how loosely it is applied.

Wikipedia says “Coming of age is a young person's transition from childhood to adulthood.” Aspects of Uncharted—specifically, Marlena’s personal accounts—deal directly with her coming of age. But in a broader sense, (if one goes by Merriam Webster—“to reach maturity”) then the definition also fits Samuel, for although he is thirty one years old, he is finally coming to terms with his childhood and now his adulthood—finally maturing as a person.

It seems to me (and this from a meager fifty-two years of experience) that the ‘thirties’ is as much a time of transition and coming of age as is adolescence. Yes, the changes of puberty and reaching physical adulthood are momentous and highly visible, yet I don’t think it’s until one’s thirties that a person begins to grasp who they are and how they came to be. I don’t mean to get overly psychological here, but if the decade or so following adolescence establishes patterns in our behavior and thoughts, congealing into ‘adulthood’, it seems that by our thirties we are confronted with what has either been working for us or inhibiting who we’d like to be. And how did we end up with this person we look at in the mirror? Are our traits genetic, or did we learn them? Can we change the things we don’t like in ourselves? Or are we doomed to struggle with seemingly inherent weaknesses for the rest of our lives? Can we reconcile any of it and find peace with it all? Perhaps it was just me, but my thirties launched me into a great deal of introspection.

It is this introspection that I write about in my novels. I’m fascinated with the concept of ‘Coming of Age.’ Yes, I wrote about it in Uncharted without necessarily analyzing is as such. Now that I’m deep into revising Spilled Coffee, I see that it is the central theme approached from both the adolescent perspective of a fourteen-year-old boy and from his thirty-one year old self as he reflects on his formative years.

Even as I write this piece for my blog, I wonder if midlife could also be classified as another ‘Coming of Age’ episode. By now I am an established adult in my own right, but there is nothing like being in close proximity with aging parents (yes, cohabitating with them) to force another full-blown self-analysis and growth spurt—but that’s a whole ‘nother topic!



Monday, August 29, 2011

New Adult or Cross-Genre?

Once again, I am giving thought to genre. When I start writing a story, the last thing I’m thinking of is what genre will this fit into, or how I can make it fit into any particular genre at all—let alone how I plan to market it. I simply write a story as it unfolds before me. Often, I’m not even sure just exactly how it will develop, or what character may enter and take center stage. This leaves me with a dilemma in the end, when I get ready to submit or query the completed novel

Story for a Shipwright has a strong Women’s fiction appeal, yet it is primarily written in first person from a male POV—a sensitive and insightful point of view, at that. Shouldn’t such a novel have a more universal appeal? In the end, I submitted Story for a Shipwright as Literary/General/Commercial fiction. (Don’t even get me going on the ambiguity of all those terms!)

Currently, I’m polishing a new (rewrite of an old) story. The protagonist is a 17 year-old girl, delivered in close third person. Large portions are from two different male points of view—one 27 year-old and the other 52. There are some high-schooly scenes, but the plot revolves around adult situations and issues. It doesn’t feel like Young Adult to me, though it doesn’t entirely feel like Women’s fiction, either. Then there is that relatively new genre, New Adult...hmmm. Perhaps Portrait of a Girl Running and the sequel Portrait of a Protégé can find a home there...must do further research...

Anyone familiar with New Adult literature or have an opinion on the marketability of cross-genre novels?