Portraits Trilogy Update

Well, I completed the first draft of Portrait of a Girl Adrift nearly a month ago. While the manuscript awaits its final edits, I have been updating the first two books, Portrait of a Girl Running and Portrait of a Protégé, both the kindle and trade paperback versions. I haven’t changed anything major in either book, just added back in some bits here and there that I had deleted from earlier versions—information that fleshes out some of the characters who show up in Book III. The plots remain unchanged.

I also committed myself to a publishing deadline—Portrait of a Girl Adrift is now up for pre-order on Amazon, to be released on December 6. This means I need to get cracking on the cover!

The layout is ready and waiting for a pivotal bit of artwork… I’m a little anxious about that since I haven’t painted in well over a year. I’m hoping it all comes back to me…Ha!

By the way, I’ve also reduced the kindle price of Girl Running and Protégé, so if you’ve been meaning to read either of them, now would be a good time to download them!

In case you're curious, here is the description from the back cover of Portrait of a Girl Adrift:

Just when Leila thinks she has everything under control, her deepest insecurities resurface when she must confront her unresolved issues surrounding the mother who abandoned her as a baby, and the men who raised her. Not even Clarence Myles can show her the way, and so Leila embarks on a journey of self-discovery that sends her drifting from place to place in search of answers. 

In the process of zigzagging her way between North and South, Leila encounters a series of intense psychological twists and turns that send her reeling, grappling with more questions about her identity. Embarking on a final quest for what it means to be ‘whole,’ Leila risks everything she knows about maintaining control; on a calculated whim, she boards a boat with a young woman who is everything Leila is not. While navigating her own heart, nothing could prepare Leila for the biggest truth she’s about to learn.

Blind Stitches—Preparing to Launch!

I'm down to the nitty-gritty of getting Blind Stitches published by July 15th. If anyone is interested in a free ARC (advance reader copy) for the purpose of reading and writing an honest review, please email me at bridget at jbchicoine dot com. 

In case you're curious, here's what it's about:

Nikolai Solvay has been dreading his sister’s wedding, but when his father dies unexpectedly two weeks beforehand, his return to New Hampshire promises to rake up his worst nightmares. 

Meanwhile, talented young seamstress Juliet Glitch has been putting the finishing touches on the wedding dress. Mother of the bride—former prima ballerina and Russian expatriate—asks Juliet if she ‘would hem her blind son Nikolai’s trousers for the funeral’ … and the wedding. 

When Juliet meets Nikolai, he draws her into the whirlwind of his unraveling family that makes her own quirky domestic situation seem normal. Confronted with the Solvay’s delusions and narcissism, Juliet must decide if her developing relationship with Nikolai is worth the turmoil as she deals with her own unreconciled past. 

Either way, Nikolai cannot stave off the repressed memories surrounding his mother’s defection from the Soviet Union twenty years earlier. Against the backdrop of autumn 1989, during the Glasnost era, Nikolai’s family secrets crash alongside the crumbling Berlin Wall.

Blind Stitches Cover & Progress

I have been making headway on BLIND STITCHES. My first round of edits are done, I have the cover copy (description for the back cover) and a cover concept. Hopefully the cover conveys a psychological drama feel with a hint of romance and mystery. I’m open to suggestions and observations.

Nikolai Solvay has been dreading his sister’s wedding, but when his father dies unexpectedly two weeks beforehand, his return to New Hampshire promises to rake up his worst nightmares. 

Meanwhile, talented young seamstress Juliet Glitch has been putting the finishing touches on the wedding dress. Mother of the bride—former prima ballerina and Russian expatriate—asks Juliet if she ‘would hem her blind son Nikolai’s trousers for the funeral’ … and the wedding.

When Juliet meets Nikolai, he draws her into the whirlwind of his unraveling family that makes her own quirky domestic situation seem normal. Confronted with the Solvay’s delusions and narcissism, Juliet must decide if her developing relationship with Nikolai is worth the turmoil as she deals with her own unreconciled past.

Either way, Nikolai cannot stave off the repressed memories surrounding his mother’s defection from the Soviet Union twenty years earlier. Against the backdrop of autumn 1989, during the Glasnost era, Nikolai’s family secrets crash alongside the crumbling Berlin Wall. 

Next, another round of beta readers, more edits ... more edits ... and more edits .... 

A Chiaroscuro Cover for Portrait of a Protégé!

I just learned a new term, thanks to my sister who knows all sorts of great words, (like penetralia!). The word is "chiaroscuro." As an artist, I should know it, alas, my unschooled background is showing, not to mention my linguistic challenges! Try as I may, the pronunciation eludes me, but that won’t stop me from using it in my soon-to-be-published novel, Portrait of a Protégé! It fits so well because its definition perfectly describes the style of art that I’m using for the cover. Here’s the definition (from my Mac dictionary):

chiaroscuro |kēˌärəˈsk(y)o͝orō, kēˌarə-|
noun
the treatment of light and shade in drawing and painting.
• an effect of contrasted light and shadow created by light falling unevenly or from a particular direction on something: the chiaroscuro of cobbled streets.
ORIGIN mid 17th cent.: from Italian, from chiaro ‘clear, bright’ (from Latin clarus) + oscuro ‘dark, obscure’ (from Latin obscurus).

So, now I must insert the word in the story, just because I can. Yes, it is a gratuitous use of a fancy foreign word, but that’s this writer’s prerogative! Besides, there's a portrait in the story with this exact lighting, though it's not the painting on Protégé's cover.

Anyhow, Protégé's cover was a lot of fun—yeah, it’s original artwork by moi. The dress was actually a cheesy Goodwill prom gown that I altered via the paintbrush, and my husband is the photographer extraordinaire. I do believe this is my favorite cover. I am still working on the cover copy, but this is what I have so far: 

James Grayson of The Step-Up Man introduces Portrait of a Protégé, written by the character Layla Sand as the sequel to her semi-autobiographical story, "Girl Running."
Four years after the close of L. M. Sand’s novel, "Girl Running," Leila is twenty-two and living on a pretty little lake in New Hampshire. A new set of circumstances throws her into a repeating cycle of grief that twists and morphs into unexpected and powerful emotions. Leila must finally confront her fears and learn to let go while navigating the field of psychology, protecting herself from the capricious winds of Southern hospitality, playing in the backyard of big-money art, and taming her unruly heart. Even her 'guardian' has a thing or two he must learn about love and letting go.

It’s a real challenge to write the cover copy since Protégé is a sequel to a story within a story and is a ‘speculative’ work, written four years into the future. Likely, most readers will have already read The Step-Up Man and so all that will make sense ... or not...

A New Title and a New Concept

So, I've been working on my next two novels—actually, they are two novels that I have had on my hard drive for the past five years. Girl Running and its sequel Protégé have undergone so many changes in the course of revising and editing. Girl Running's first draft came in at over 150k words and is now a trim 111k. It had dropped as low as 92k, but then I had an idea. Yes, ideas can be very dangerous, but this time it feels oh, so right!

I have always been intrigued with the story-within-a-story concept. I pulled it off with Uncharted: Story for a Shipwright, and even Spilled Coffee has that feel, and both those novels are written in first person as a thirty-something man. Don't ask me why, I just like that POV. At any rate, I've had some qualms about putting Girl Running out there. Yes, it does push some societal boundaries—the teacher-student relationship scenario, but that's really not what the story is about. It's not the theme, anyway. It's about stepping up and following through and finding our own way when no one else is willing to "step up" in our behalf.

So, Girl Running now has a new format—a story within a story—and a new name. The Step-Up Man. Here is what you'll read on the back cover:

In the wake of a student suicide, twelfth-grade English teacher James Grayson is second-guessing his “don't bring work home” policy, while his reluctance to commit to his girlfriend—to marry and have children—has his personal life hanging in the balance. He can't even commit to finishing one of his own novels. 

When sullen and withdrawn student Layla hands in a compelling assignment that is actually part of a larger body of work, James becomes obsessed, not only with convincing her to let him read it, but with the notion of stepping up to do the right thing by his girl-friend, his students and his writing, and how they are all intertwined. 

Layla acquiesces. James has no idea what he’s in for as she weaves a tale about 17-year-old orphaned "Leila" who needs to live inconspicuously until she graduates. Three teachers make that impossible—the handsome track coach, her math teacher from hell, and a jealous gym instructor. Compromising situations, accusations of misconduct, and judicial hearings put her autonomy and even her dignity at risk unless she learns to trust an unlikely ally. 

James guesses at which parts of Layla's novel are true and what is wishful thinking. If the "step-up man" in Layla's story turns out to be fictitious, can a cast of characters still change the way James views his own life?

Yes, it's a little long, but then, so is the story. Yeah, it's going to be a thick one. Now I need to finish editing and decide if I'm going with a smaller font (10 pt) and thus smaller page count, or make it a whopping 400+ pages. I'm also toying with the idea of two different fonts—Times New Roman for James Grayson's narration and then switching to Courier (or another typewriter font) for Layla's manuscript. What will my readers tolerate when it comes to that sort of formatting creativity?

Anyway, I hope to get these polished and published sometime this autumn, or perhaps even sooner.

UNCHARTED logline

As I get closer to Uncharted’s release date (October 1), I’ve been thinking more about my logline—what I’ll say when someone asks “What’s it about?” I had one that I tried out on a few people—“It’s about a reserved New England shipwright and a spear-fishing young woman who is either delusional or may hold the key to his family’s mysterious past”— but it seemed convoluted when it came out and was met by a fair amount of squinting.

So, I’ve been reading in Blake Snyder’s Save the Cat about the importance of summing up “What is it?” in one sentence. I’m not sure if my new logline contains much irony (as he recommends), but this is what I’ve come up with:

“A peculiar young woman, whose stories of shipwreck and survival, capsizes the ordinary life of a reserved New England shipwright.”

Yeah, it’s still a mouthful, but it rolls off my tongue a little easier. And if I my audience doesn’t squint at that, I can add, “Even though she’s likely delusional, he might fall in love with her, but he’ll have to compete with his womanizing best friend.”

Oh, and just so you know what I’m working with, here’s the official cover copy:

When a peculiar young woman shows up at the Wesley House Bed and Breakfast with a battered suitcase and stories to tell, shipwright Sam Wesley isn’t sure if she’s incredibly imaginative or just plain delusional. He soon realizes that Marlena is like no other woman he has ever met. Her strange behavior and far-fetched tales of shipwrecks and survival are a fresh breeze in Sam’s stagnant life.

Sam isn’t the only one enchanted by Marlena. With his best friend putting the moves on her and a man from her past coming back into her life, the competition for Marlena’s heart is fierce. In the midst of it all, a misunderstanding sends Marlena running, and by the time Sam learns what his heart really wants, it may be too late to win her back.

This cover copy puts more emphasis on the romantic aspect of the story, which I originally toned down to make it more appealing to both genders. But the fact is, although quite a few men have enjoyed it (there’s enough adventure and manly stuff mixed in to draw male readers), the Women’s fiction audience is my target. And yeah, it’s a love story on many levels.

So, what do you think? Does the logline grab you? Any suggestions?