Portrait of a Girl Adrift: Cover Progress

I've been working on the cover for Portrait of a Girl Adrift … it's been quite a process. In case any of my readers have suspected, yes, I am the model for the 'girl' on the covers, not because I necessarily resemble Leila—I mean, I am fifty six, after all—but I publish my novels on a scant budget, and what can I say … I'm cheap and available! And it's not difficult to trim off twenty-five pounds and smooth wrinkles with graphics software.

Nevertheless, I had intended a different pose for this cover—Leila sitting cross legged, 'Indian style' as we used to say (but that's probably no longer politically correct—the term, not the position). At any rate, Todd set up the camera, adjusted the flood light and flipped on the fan for billowing the linen shirt. But when I tried to assume the position, well, there was simply no way! I don't know when it happened, when my body decided to be so inflexible, but I was going to have to reconsider the composition for the cover. The image proportions are a bit different from the covers for Girl Running and Protégé, but Adrift still has the same feel.

Anyway, I thought it would be fun to post the progression of the painting (and no, I will not share the photo I worked from—don't need that circulating around the internet!).

... And here is the finished cover:

I'm happy with the result, and now I can post it where it needs to be, places like Amazon (it may take a few days for the image to show up) and Goodreads. I also want to remind any of my readers that the Kindle version of Portrait of a Girl Adrift is available for pre-order on Amazon—to be released on December 6th. And if anyone would like an Advance Reader Copy in exchange for a review on Amazon or Goodreads (preferably both), just let me know. Also, if you've read Portrait of a Girl Running or Portraitof a Protégé, consider leaving reviews for those—it helps their discoverability.

Meanwhile, it's back to editing…

Portraits Trilogy Update

Well, I completed the first draft of Portrait of a Girl Adrift nearly a month ago. While the manuscript awaits its final edits, I have been updating the first two books, Portrait of a Girl Running and Portrait of a Protégé, both the kindle and trade paperback versions. I haven’t changed anything major in either book, just added back in some bits here and there that I had deleted from earlier versions—information that fleshes out some of the characters who show up in Book III. The plots remain unchanged.

I also committed myself to a publishing deadline—Portrait of a Girl Adrift is now up for pre-order on Amazon, to be released on December 6. This means I need to get cracking on the cover!

The layout is ready and waiting for a pivotal bit of artwork… I’m a little anxious about that since I haven’t painted in well over a year. I’m hoping it all comes back to me…Ha!

By the way, I’ve also reduced the kindle price of Girl Running and Protégé, so if you’ve been meaning to read either of them, now would be a good time to download them!

In case you're curious, here is the description from the back cover of Portrait of a Girl Adrift:

Just when Leila thinks she has everything under control, her deepest insecurities resurface when she must confront her unresolved issues surrounding the mother who abandoned her as a baby, and the men who raised her. Not even Clarence Myles can show her the way, and so Leila embarks on a journey of self-discovery that sends her drifting from place to place in search of answers. 

In the process of zigzagging her way between North and South, Leila encounters a series of intense psychological twists and turns that send her reeling, grappling with more questions about her identity. Embarking on a final quest for what it means to be ‘whole,’ Leila risks everything she knows about maintaining control; on a calculated whim, she boards a boat with a young woman who is everything Leila is not. While navigating her own heart, nothing could prepare Leila for the biggest truth she’s about to learn.

From Concept to Cover: Blind Stitches Update

It takes me a long time to design a book cover (probably one of the reasons I don’t do it for hire). I usually have an idea or concept in mind, and as soon as I compile the basics, I can’t wait to share, like here, on my blog. I also assign it as my computer desktop background so I can stare at it for a long time, or glance at it quickly and regularly. That way I determine its strengths and weaknesses, both in content and compositionally. The result of my last, weeks-long staring episode is significant—and really a no-brainer. The sheer cloth of the initial layout lacked interest and a human element, which I think is important when there’s an underlying love story. But it’s more than a love story, it’s a psychological drama set against an absurd backdrop.

Blind Stitches is about a ‘vicariously-delusional’* blind artist and a seamstress, and the painting of a dress that brings them together in a suspenseful tale of twisted family dynamics.

In this version of the cover, I think the painting makes all the difference. My artist husband  rendered it in the same Impressionist style that Nikolai—the purportedly blind artist—painted his sister’s wedding dress, designed after his delusional mother’s ballerina costume and modeled by … well, I don’t want to give it all away. Let’s just say it’s all rather twisted.

*Yes, I made up that term; you won’t find it in any psychology textbook.

UNCHARTED: Story for a Shipwright—Second Edition!

This is a case of ‘I have good news, and I have bad news….’ The bad, well, rather sad news is that my publisher of Uncharted, Rhemalda Publishing, has closed its doors due to some unforeseen events in the lives of those who ran the operation. Sad indeed, as they were a fine publisher to work with, and I hate to see any small press shut down—especially one who spent so much time and energy on my debut novel. The good news—as I choose to view it—is that I have received the ‘reversioning’ rights to Uncharted. This means I will be publishing Uncharted: Story for a Shipwright as a second edition under my own self-publishing entity, Straw Hill Publishing. In fact, I have already done so!

One of the consistent pieces of feedback I have received on Uncharted is that the ending is too abrupt; consequently, I have extended the final page—a bit more of a dénouement. Additionally, I have added an epilogue, a small bit about ‘The Island,’ and a Reader’s Guide. And yeah, the cover is slightly different. I doubt anyone will notice unless I point it out, but the ship Marlena is gazing upon now sits in the Atlantic Ocean where the shipwrecks of the story take place, rather than in the middle of Asia. Okay, yeah, I’m a tad OCD. And I added the subtitle, Story for a Shipwright, to the cover.

The new and revised version of Uncharted: Story for a Shipwright is now available as a trade paperback from Amazon, for your Kindle, and in various eBook formats via Smashwords.

I am also doing a giveaway on Goodreads, so if you'd like to enter to win a copy, head on over!

So that’s my immediate news. Within a week, I should be releasing Portrait of a Girl Running, and soon thereafter, Portrait of a Protégé!

A Chiaroscuro Cover for Portrait of a Protégé!

I just learned a new term, thanks to my sister who knows all sorts of great words, (like penetralia!). The word is "chiaroscuro." As an artist, I should know it, alas, my unschooled background is showing, not to mention my linguistic challenges! Try as I may, the pronunciation eludes me, but that won’t stop me from using it in my soon-to-be-published novel, Portrait of a Protégé! It fits so well because its definition perfectly describes the style of art that I’m using for the cover. Here’s the definition (from my Mac dictionary):

chiaroscuro |kēˌärəˈsk(y)o͝orō, kēˌarə-|
noun
the treatment of light and shade in drawing and painting.
• an effect of contrasted light and shadow created by light falling unevenly or from a particular direction on something: the chiaroscuro of cobbled streets.
ORIGIN mid 17th cent.: from Italian, from chiaro ‘clear, bright’ (from Latin clarus) + oscuro ‘dark, obscure’ (from Latin obscurus).

So, now I must insert the word in the story, just because I can. Yes, it is a gratuitous use of a fancy foreign word, but that’s this writer’s prerogative! Besides, there's a portrait in the story with this exact lighting, though it's not the painting on Protégé's cover.

Anyhow, Protégé's cover was a lot of fun—yeah, it’s original artwork by moi. The dress was actually a cheesy Goodwill prom gown that I altered via the paintbrush, and my husband is the photographer extraordinaire. I do believe this is my favorite cover. I am still working on the cover copy, but this is what I have so far: 

James Grayson of The Step-Up Man introduces Portrait of a Protégé, written by the character Layla Sand as the sequel to her semi-autobiographical story, "Girl Running."
Four years after the close of L. M. Sand’s novel, "Girl Running," Leila is twenty-two and living on a pretty little lake in New Hampshire. A new set of circumstances throws her into a repeating cycle of grief that twists and morphs into unexpected and powerful emotions. Leila must finally confront her fears and learn to let go while navigating the field of psychology, protecting herself from the capricious winds of Southern hospitality, playing in the backyard of big-money art, and taming her unruly heart. Even her 'guardian' has a thing or two he must learn about love and letting go.

It’s a real challenge to write the cover copy since Protégé is a sequel to a story within a story and is a ‘speculative’ work, written four years into the future. Likely, most readers will have already read The Step-Up Man and so all that will make sense ... or not...

Spilled Coffee Cover

I've been picking away at each item on my To Do—that is, my To Publish list for Spilled Coffee. The cover has been in the works for months now, but I’ve finally settled on all the particulars (not that my perfectionism won’t kick in for some last-minute tweaks).

I like it—it’s kind of quirky and layered, like the story. I have also established my publishing entity: Straw Hill Publishing. Depending on how complicated my life becomes over the next couple moths, I plan to release Spilled Coffee this late spring/early summer.