A New Title and a New Concept

So, I've been working on my next two novels—actually, they are two novels that I have had on my hard drive for the past five years. Girl Running and its sequel Protégé have undergone so many changes in the course of revising and editing. Girl Running's first draft came in at over 150k words and is now a trim 111k. It had dropped as low as 92k, but then I had an idea. Yes, ideas can be very dangerous, but this time it feels oh, so right!

I have always been intrigued with the story-within-a-story concept. I pulled it off with Uncharted: Story for a Shipwright, and even Spilled Coffee has that feel, and both those novels are written in first person as a thirty-something man. Don't ask me why, I just like that POV. At any rate, I've had some qualms about putting Girl Running out there. Yes, it does push some societal boundaries—the teacher-student relationship scenario, but that's really not what the story is about. It's not the theme, anyway. It's about stepping up and following through and finding our own way when no one else is willing to "step up" in our behalf.

So, Girl Running now has a new format—a story within a story—and a new name. The Step-Up Man. Here is what you'll read on the back cover:

In the wake of a student suicide, twelfth-grade English teacher James Grayson is second-guessing his “don't bring work home” policy, while his reluctance to commit to his girlfriend—to marry and have children—has his personal life hanging in the balance. He can't even commit to finishing one of his own novels. 

When sullen and withdrawn student Layla hands in a compelling assignment that is actually part of a larger body of work, James becomes obsessed, not only with convincing her to let him read it, but with the notion of stepping up to do the right thing by his girl-friend, his students and his writing, and how they are all intertwined. 

Layla acquiesces. James has no idea what he’s in for as she weaves a tale about 17-year-old orphaned "Leila" who needs to live inconspicuously until she graduates. Three teachers make that impossible—the handsome track coach, her math teacher from hell, and a jealous gym instructor. Compromising situations, accusations of misconduct, and judicial hearings put her autonomy and even her dignity at risk unless she learns to trust an unlikely ally. 

James guesses at which parts of Layla's novel are true and what is wishful thinking. If the "step-up man" in Layla's story turns out to be fictitious, can a cast of characters still change the way James views his own life?

Yes, it's a little long, but then, so is the story. Yeah, it's going to be a thick one. Now I need to finish editing and decide if I'm going with a smaller font (10 pt) and thus smaller page count, or make it a whopping 400+ pages. I'm also toying with the idea of two different fonts—Times New Roman for James Grayson's narration and then switching to Courier (or another typewriter font) for Layla's manuscript. What will my readers tolerate when it comes to that sort of formatting creativity?

Anyway, I hope to get these polished and published sometime this autumn, or perhaps even sooner.

Formatting Scene Headers

As promised—as if anyone’s as insane as I am about formatting—I shall show you how to make the nice little scenes show up in your Document Map! (if you haven’t read my last post on Chapter Headers, you need to do that first!) Again, this is for MS Word, 03 edition. (I just found out that Scrivener is soon coming out with an edition for PCs—how exciting is that! Thanks Nate!)

Now, go ahead and open your Document Map along with your Styles and Formatting pane. At the bottom of the Formatting pane, from the drop-down menu, click Available formatting. A list of different heading styles should show up.

Place your cursor in the paragraph that starts a new scene and then click Heading 2 (it is likely bold and italicized). This changes that entire paragraph to a heading, but also changes the formatting, which we can easily adjust. At this point, the first words of your new scene will show up in the Document Map under a collapsible Chapter header! Now, highlight the new scene paragraph. You can either adjust the font at the toolbar to Times New Roman, size 12, and unclick bold and italic, or go to Format>Font>and do the same from that dialogue box.

Next, with the paragraph still highlighted: Format>Paragraph>Line spacing>Double, and spacing before and after at 0 pt >OK 

If you like, you can also make the opening paragraph in each chapter a heading—I like to just because I can see it at a glance for navigation. To do this, place your cursor on the first paragraph. In the Formatting pane, click Heading 2 (the one in Times New Roman…). Now it shows up in your Document Map, right under the Chapter. If you had an indentation in the paragraph, it’s gone now, so we have to restore it. Go to Format>Paragraph>Indentation>Special>First Line>.05”>OK. *

When you hit Enter (Return) to begin a new paragraph, you need to format that back to indented, or all subsequent paragraphs will be headers. Simply place your cursor on the next paragraph, In the Formatting pane, click Clear Formatting. Now, go back to Format>Paragraph>Indentation>Special>First Line>.05”>OK. Now, each subsequent paragraph will have a .5” indentation and you won’t have to mess with Tabs. This will also provide you with First line: 0.5” in your Formatting pane, which you can use to adjust any future paragraphs—such as those following a scene, where you’ll want to restore an indent.

If anyone knows a simpler way to do all that, please share!

 

*If you want to know how to get rid of the bold headings from the Formatting in use, you’ll have to e-mail me. Either way, it won’t interfere with anything)

Formatting Obsessed!

Okay, I love formatting! I admit it! Whenever I receive a manuscript or piece of text from another writer, divided into chapters and scenes, I get an urge to format it! I wasn’t always a formatting geek—it came about quite by accident. When I write, I do it in clumps of text, without regard for chapters or scenes. Later on, I go back and add my page breaks and scene changes. Problem was, I constantly adjusted them, splitting and combining chapters and scenes, and then had to go back and renumber everything. What a pain.

Then I discovered how to make my chapters number themselves, and even improved the way I could navigate through my own manuscript. Humor me here...if you’ll notice in the snapshot of my screen, the Document Map panel on the left shows all my chapters and scenes for easy reference. And the Formatting Pane on the right shows only the formatting I have in use. From there, I can adjust everything in my manuscript. If you want to play around, do so on a duplicate or new document. (Be aware, though, that this is for MS Windows, 03 edition. I don’t know anything about the 07 version or Macs—sorry.) And you may want to be sure you have the Formatting toolbar displayed: View>Toolbars>Formatting. I will explain using the menu bar across the top.

From the menu bar click View>Document Map. A pane opens on the left side.

Now, Format>Styles and Formatting—which opens a pane on the right. At the bottom, choose Formatting in use. Keep that open.

Place cursor where you want your chapter heading. Format>Bullets and Numbering>Outlined Numbered tab>Chapter 1>Okay.

Chapter 1 will show up on your document, likely at your left margin (it will also appear in the Document Map)—probably Arial font, or whatever your default font is. If this is for a manuscript, highlight the words Chapter 1. If a font button is not on your toolbar, Go to Format>Font>Times New Roman. Font size: Regular. Size:12. Now, Center it, either from the toolbar, or Format>Paragraph>Alignment: Center.

Now, highlight Chapter 1 on your document. In the Formatting pane, Chapter 1 Heading 1 + Centered will be ‘highlighted’. Each time you start a new chapter after a page break, click on that and the next chapter in sequence will appear. If you combine chapters or split them, the sequence will be synchronized automatically.

If anyone knows a simpler way to do all that, please share!

Tomorrow, I will show you how to make each scene a heading under the chapter.

Any questions so far? Anything you want me to mess around with?