Notes from Underground Anthology

The Literary Lab presents Notes from Underground Anthology!

This is particularly exciting for me because it contains my first published work, entitled Four Words, and puts me in very good company with 23 other accomplished writers.

Four Words is a short story based upon a scene from one of my novels.

Thanks LitLab for this opportunity, and all the hard work that went into putting together such a beautiful publication!

 Purchase a printed copy through CreateSpace or Amazon, or for your Kindle through Amazon.

Back to Where I Started?

Well, I’ve been busy putting together something for Notes From Underground, way ahead of time, which is a little unlike me. Actually, I’m not certain that it’s like or unlike me, seeing as I’ve never had to work under a writing deadline. I suppose that if I had to come up with something from scratch, it might feel entirely different.

At any rate, I’ve written a short story based upon a scene from an earlier unpublished novel of mine—that is, from a sequel to my second novel.* When I wrote Girl Running, and then, Portrait of a Protégé, I had absolutely no idea about writing rules and publishing. I only had a high school-level grasp of English—and the benefit of parents who had a fair handle on English grammar. That’s it. I couldn’t even claim to be an avid reader** Oh, and I had a huge imagination!

After several years of mulling over a particular scenario, and coming up with character backstory, I decided to wing it and simply get the story out of my head and into MS Word. I wrote it for my husband and I had a blast doing it! Impressing Todd was my only desire. I even printed and bound it for him—all 150,703 words!*** He’s the one who planted the idea of publishing, so I will blame all my angst, henceforth, on him.

It wasn’t until I began writing Story for a Shipwright that I investigated what the industry considers ‘good writing.’ I jumped through all the hoops. I read the agents' blogs, got beta readers and revised and revised and revised. I like the story—no, I love the story—I think it is sound and I will publish one way or the other. But I wonder if, in all the advice and critiques and revisions, I have somehow homogenized it...like chrome polished down to pot-metal.

So, here I am, between stories, and it’s my first love that still nags me. Rewriting just one scene, utilizing what I've learned, and then writing it with the liberty of doing it how I want has made me seriously reconsider Leila, a girl raised by a couple of mixed up guys—one black, one white—who just wanted to be Blues musicians and had no business raising a child on the road. I think her story as an adolescent on her own, breaking into womanhood, may be worth a complete rewrite—at least it’s a notion I’m toying with…

* I hesitate to claim my very first completed novel of 23 years ago—Relative Survival—but it qualifies in length.

** Yes, I know that’s blasphemy, but if I started reading anything, I did not have the self-discipline to put it down until it was done, and that can really mess up one's life--especially when one has a family. Borderline OCD?
*** the sequel came in at only 123,753 words

Notes From Underground

Well, now I’ve gone and done it, I entered a contest—which goes directly against what I’ve learned about my non-competitive temperament—and have been selected for the Notes From Underground anthology over at The Literary Lab. That actually happened last week, but I held off posting this in case there was some sort of a mix-up—if there was, I haven’t been notified, so I suppose it’s safe to go ahead.* Mostly, I’m posting this because I didn’t want them to think I’m not immensely grateful, so I thought it proper protocol to publicly say, Thanks Lit Lab! And congratulations to the other 25 brave writers.

Most of you who stop in here know about the anthology—that a shot at being picked required an anonymous submission of 5 pages of literally anything creative explaining why they should give me 10 whole pages in Notes From Underground, writing anything I want! Yes, it’s experimental and feels very risky. Perhaps they’re as nervous as me…

So, I’ve been messing around with some scenes from one of my earlier, unpublished novels, Portrait of a Protégé. Somehow, the familiarity of a beloved piece makes it feel less daunting. Besides, I love editing and the challenge of taking a scene and making it a stand-alone short story. Maybe, if I don’t go overboard with words, I’ll have enough room for some black and white artwork…anyway, I have until December 15th to put it all together.  

*I don't mean to imply any sort of incompetence on the part of The Lit Lab, but I'm just so accustomed to rejection these days that I had a hard time believing it wasn't some sort of mistake...